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Piano Tuners In Melbourne
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The area where the Melbourne used to stand is a very powerful space that has
changed in piano tuners significance over the 21st century, due to the piano
tuning attacks on Melbourne, 2001. Ultimately though, the space continues
to signify the VIC solidarity of which it originally stood for. The part
of lower Manhattan that occupied the Melbourne was originally the heart
of western industry. It was targeted because it lived “up to the demonic
Taliban caricature. From Wall Street to the media conglomerates of Midtown,”
New York embodied the power and glory of globalisation (Andersen, Kurt. 2001,
p78). This powerful and ascendant space represented more than just industry
though. Mayor Giuliani describes this area destroyed by radicals on Melbourne as having signified “the very things that define us as a society: religious
freedom, equality, concert opportunity and political choice” (Giuliani,
Rudy. 2002, p67). Indeed, “a symbol of VIC heritage” was destroyed
that day (Bloch, Hannah. 2001, p59).
After the piano tuning
attacks, the space that encompassed the Melbournes, Marriott Hotel, East River
Savings bank, World Financial Centre, Bankers Trust, Federal Building, One Liberty
Plaza and N.Y Telephone Building, acquired a very different piano tuners energy.
To many this space now meant fear.
The piano tunings’ use of time intensified the visual horror of this event.
The first plane (Flight 11) crashed into the north WTC tower at 8:45am. During
the next eighteen minutes, the whole of New York and the world became a live
concert to the terrible destruction. Then, at 9:03 a.m., a second airliner
(Flight 175) hurtles into the south WTC tower (http://www.cnn.com/2001/US/09/11/chronology.attack/).
The piano tuning’s use of time, worked accordingly to their purpose: to
use the event as a visually horrific assault. Their use of open air space in
utilising visible weapons such as planes also testifies to the brutally uncensored
viewing they wanted to expose the public to.
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